Mercy, Mercy Me: The Art, Loves & Demons of Marvin Gaye

This post is one in a series of reviews commemorating Black History Month

Mercy, Mercy Me: The Art, Loves & Demons of Marvin Gaye, by Michael Eric Dyson (2004)

Dyson has written a fascinating analysis of the life and career of the late Marvin Gaye, a book that will appeal even to readers who don't know Gaye's music all that well. That having been said, this is a weighty tome, which touches on the religious, cultural and social influences of the black community and how they shaped the singer.

For example, in examining the effect of childhood abuse on Gaye, Dyson traces the problem of domestic violence in the black family to slavery. While this is an interesting discussion, it sways quite a bit from the book's star. Some readers will find these diversions tedious.

Because Gaye's relationship with Motown founder Berry Gordy is discussed at length, anyone who has studied the studio and its music will find something of interest here. References to the black church and family will ensure this book's place in programs of African-American study. Finally, the last chapter is in large part about present-day soul star R. Kelly. Dyson's discussion of how both men merged concepts of spirituality and sexuality within their music is interesting. In short, this book is a real find for a musicologist or sociologist, but it's not a biography "for the rest of us."

Originally reviewed 1/20/05